
A bit of a lengthy post, but I hope you enjoy the information, pictures, and videos (links at end of post):
From John Kendall:
I have taught multimedia and web publishing for the last ten years or so for the Rutgers Preparatory School Summer Session, until three years ago, where I tried splitting up the same course repeated in each of our two-hour-and-fifteen minute periods into separate courses on "Robotics and Introduction to Programming" and "Multimedia and Digital Film." The students entering 6th, 7th, and 8th grade in the fall all take the course as enrichment (no grades, although they receive lengthy narrative evaluations halfway through and at the end of the five weeks).
I have used MicroWorlds EX Robotics as the basic program for animation, multimedia and programming, so it was easier to lean more towards making animation and game projects in MicroWorlds and small films in iMovie with the Multimedia course, and using the RCX LEGO kits two and one years ago, and then switching over to the NXT models this summer.
Since I have taught English for 35 years, and computers for about 20, I naturally lean towards finding narrative threads even in the robotics class. Three years ago our very first robot was customized into a stage coach, which inspired a several minute long Western, complete with stagecoach robbery. Two years ago, the robotics class programmed a lengthy series of maneuvers into one of their vehicles which evolved into a "Fire-Fighting Rescue Robot," complete with invading aliens and a fire threatening a forest of popsicle stick green construction paper trees. Last year, in our 14-minute film epic, "The Siege of Castle Lego," my engineers built a trebuchet with the NXT providing a lift winch and another robot raising and lowering the drawbridge, which the multimedia class turned into a French invasion of an English castle.
I am neither a native builder of LEGO robots, nor an innate programmer, especially with the newer NXT-G software, which we were forced to use with the new models. When I saw blurbs of Jim Kelly's "The Mayan Adventure" book, which provided not only detailed planning, constructing and programming directions, but also integrated the idea behind the five robots with a story line, I said, "this is a guy who thinks as I do." My big creative vision soon developed into a plan whereby my robotics class would build and program the five robots, and my multimedia class would combine their LEGO-mation style of digital film-making with live video clips of the Mayan robots performing.

The Multimedia class began the project by the end of the first week of classes (four days that week, and then five days for each of the next four weeks). We used Jim Kelly's five chapters and epilogue to begin a storyboard, and I wrote the "audio script" adapting faithfully his original narrative into dialogue which four of my students would speak, as Uncle Phil (Neel), Evan (Jason), Grace (Stephanie G) and Max (Brian). Divya and Stephanie L scanned the LEGO figures for the characters, used Adobe Photoshop Elements and MicroWorlds to clean up the scans and convert them into transparent "turtle" shapes and to generate still images for the movie. We took it as a good omen that among the several dozen background images in MicroWorlds was a Central American (not Egyptian) pyramid.
While Multimedia was continuing to find Mayan glyphs, artwork and spider monkeys (which figure PROMINENTLY in the plot), my three robotics teams started from scratch and first built, then programmed, then field tested the other three robots. Neel and Jason had early success with the SnapShotBot taking a photo, and eventually figured out how to balance the robot to move slowly enough to not overshoot the line following around the basket with the key in it (more plot action), while still having enough power to turn the heavy vehicle.

Abhik and Brian had fits and starts with the PushBot. They learned many aspects of using sensors the hard way, from the light sensor being too high off the floor, to the sound sensor not picking up the correct signal to putting together a series of seemingly simple procedures into one complex maneuver of pushing four statuettes onto four pressure plates.
-----
Link:
Videos: http://kendall.rutgersprep.org/film_2009/mayan_robotics.html
No comments:
Post a Comment